Matthew Guerreri (of Soho the Dog fame) reviewed Garrick Ohlsson's recital of last Saturday for today's Boston Globe:
"Spinning out the slow movement's melody, Ohlsson used a velvet touch and a classical rubato: Rather than stretch the time, he judiciously let his hands slip ever so slightly out of phrase, creating a limpid atmosphere of compelling nobility."
Read Ohlsson's sure touch keeps Beethoven's pace
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