Below are pianist Dubravka Tomsic's encores from her recital on Friday night:
1. Lizt: "Forgotten Waltz"
2. Chopin: "Minuette Waltz"
3. Lizt: Concert Etude - "Dance of the Gnomes"
4. Lizt: Concert Etude - La Leggereza
Saturday, April 16, 2011
Dubravka Tomsic encores
Tuesday, April 12, 2011
Soprano Dawn Upshaw announces April 29 recital program
Dawn Upshaw has released her Celebrity Series recital program for April 29 with pianist Stephen Prutsman at NEC's Jordan Hall. It is a generous and varied program, so it is a bit long to post here in full:
Dawn Upshaw program
Friday, May 7, 2010
Thomas Quasthoff's encores from May 2 recital
Brahms
Auf dem Kirchhofe Op. 105
Schubert
Seligkeit
Brahms
Unuberwindlich
Tuesday, May 4, 2010
Quasthoff recital reviewed in Boston Globe
"During a break, Quasthoff drew the
audience’s attention to two oval windows on a pair of entrance doors in
Jordan Hall. He could see through them to the street doors, and every
time someone opened those, it seemed to him as if the hall doors were
winking. "I thought I was on drugs or something," quipped Quasthoff, "or that I had drunk Boston water!"
Then
after a brief introduction to the next cycle he lunged back into drama
with Frank Martin’s “Sechs Monologe aus 'Jedermann.'" We were left at
intermission to absorb this masterpiece of sustained intensity and
existential struggle."
Read all of Quasthoff offers lightness amid dark.
Saturday, February 13, 2010
Finckel, Han and Setzer on the Schubert Piano Trios (video w narration)
David Finckel, Wu Han and Philip Setzer will perform Schubert Trios nos. 1 & 2 on February 21 at Jordan Hall. In this video, they play and discuss Schubert trios (from Music@Menlo in 2008).
Monday, February 8, 2010
Berlin Philharmonic Wind Quintet Globe review
Tuesday, February 2, 2010
Globe's Jeremy Eichler on Tetzlaff: "nothing more was required"
"There were no gimmicks in Jordan Hall Sunday night. No semi-staging. No actors employed. No mood lighting. No screen projections to help us feel the music. There was not even a pianist to accompany it.
There was only one deeply serious artist, the violinist Christian Tetzlaff, alone with his instrument on a completely empty stage. It turned out that, for one of the most rewarding concerts in recent memory, nothing more was required."
Read all of A lone violin, when nothing more is needed.