Monday, January 22, 2007

Regina Carter: Taking jazz violin on a trip back in time

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Jazz violinist and MacArthur "Genius" Grant winner Regina Carter

Regina Carter was featured in The Boston Globe this weekend in a piece by Siddhartha Mitter. Carter talks about "I'll Be Seeing You: A Sentimental Journey," and related projects, the death of her mother, who inspired the recording, as well as her MacArthur "Genius" Grant. Carter proves again that as musically reliable as her playing is, she is is a multi-faceted musical and cultural explorer. What I'm trying to say is, the MacArthur folks were right to support her efforts, because she is smart, soulful and doesn't stand still. This line from the Globe article caught my attention, especially since my enduring image of her is that of her buring up the stage at Symphony Hall on Wynton Marsalis' "Blood on the Fields" tour:



"'I grew up watching the Lawrence Welk show,' Carter says by way of example. 'It's almost a nostalgic sound, with the clarinet and the accordion.'"

Read all of Taking Jazz Violin on a Trip Back In Time.



And, as if one remarkable musician wasn't enough, vocalist Dee Dee Bridgewater joins Ms. Carter's great band this Saturday (something not happening elsewhere on this tour, I might add).



Friday, January 19, 2007

Kim Jong Il and Seiji Ozawa

The Exhibitionist has posted an item about North Korean dictator Kim Jong Il wooing former BSO Maestro Seiji Ozawa to lead an orchestra, or, one must suppose, the orchestra in North Korea. Boy, do I want to believe this is more than just an urban legend.



Let's see...The Onion could be behind something like this, but Seiji denies it (so it really could be true)...



Give unto us Super Bowl Sunday

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According to this article from MSNBC.com, more people actually see advertisements during the Super Bowl than during most broadcasts because it is live. People watch it live and don't use DVR technology to tape it and skip the ads. In fact, we are told, many people taping the show are probably taping it to watch the ads later.

As a denizen of the performing arts, there was a time when all this self-referential media contemplation would have had me smirking, or even fuming. But all this attention is as it should be, considering that the Super Bowl is a national holiday. You can't just TiVo a national holiday.



Super Bowl Sunday 2007 is on February 4. And because we at the Celebrity Series respect holidays  (and because we are not crazy), we have not scheduled performances on Super Bowl Sunday (this year, or any other year).

We will, however, be presenting Complexions (Dwight Rhoden and Desmond Richardson's stunning dance company currently drawing raves at the Joyce Theatre in New York) on February 2 & 3  at the Tsai Performance Center, and country music star Kathy Mattea at Sanders Theatre on February 3. I recommend getting out and seeing something on February 2 and 3 before heading for the sofa. You can't just TiVo live performing arts, either.



Broadwayworld.com reviews Olympia Dukakis in "Rose"

Jan Nargi's review of Rose for Broadwayworld.com was posted this morning:



"Dukakis’ ability to move us with a pause or a glance is astonishing. Impish one minute, aching the next, she can be girlishly sensual when describing the first time she lost her breath making love, then teeter on the edge of emphysema when telling how kind American soldiers gave her that first cigarette. She can also express anger with the power of bombs dropping. In a final explosive torrent of emotion, Dukakis unleashes 80 years of built up rage that Rose has suppressed and channeled into the simple act of continuing to live. With all she’s seen, and all she’s survived, she can’t understand how war and its atrocities are still commonplace."

Read Jan Nargi's complete review of Rose



Thursday, January 18, 2007

An afternoon with Olympia Dukakis

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Rose's shoes on the Wimberly Theatre stage

Olympia Dukakis came to town early to do a little promotion for her engagement in Rose this week at the Calderwood Pavilion at the BCA. She had agreed to do an hour of live television (Wired with Jim Braude and Leslie Gaydos) on NECN, so I met her at Logan and accompanied her to the studio, after we made a quick stop at her hotel. On our way, we covered the usual niceties one covers when picking up an artist: How was the flight? Can you believe this weather? Here are the sales figures so far for your show, etc.

Once we had settled in other subjects flowed. Forced on to the topic of sports by our driver's amiable football playoffs questions, she switched to the Red Sox 2004 championship. "Wasn't it wonderful?" Then, conspiratorially, "I always root for the Boston teams."

She reminisced of playing hockey on the frozen ponds in and around Arlington (she is a graduate of Arlington High School). "Everybody played. This was before they built all the big rinks. We played on the ponds...someone would make a bonfire and..."



"Did you play?"



With mock dismay (and a little smile), "Of course I played."



The NECN interview was both predictable and predictably interesting. She talked about everything - from originating Rose in London to the Armenian Genocide; from her not minding the attention her performances in Moonstruck and Steel Magnolias always receive ("sometimes I'll be walking down the street, a little blue, and someone will shout a line of mine out to me, and it picks me up a little") to how she is a voting member of the Academy of Motion Picture Arts & Sciences, yet rarely attends the Oscar telecast. She was a pro and so were her hosts. It wasn't James Lipton, but it was fun and interesting publicity.



After securing a skim milk capuccino from Starbucks, she relaxed a bit. We looked for some music on the radio for our car ride back to Boston; something "not too agitato, please." We found WPLM, out of Plymouth, Mass. Stevie Wonder was singing "Isn't She Lovely" and Ms. Dukakis was pleased.



"You found what I was looking for," she told the driver.



"This station also has a nice all-Sinatra show on Saturday nights" I said.



"SINATRA [almost a shout]!! [pause] Can you believe Sinatra is gone?" At first I thought it was a rhetorical question, but she looked at me for a response. I mumbled something about losing a face from Mount Rushmore. Then I realized she had actually worked with the man - and then played his mother. I tried to think of something relevant to say, but she had moved on. We had just entered the South End and Olympia was looking out the window admiring the houses. "You know, they tore a lot of them down around St. Botolph Street when I lived there. Boston usually takes care of things like [these houses]...so beautiful."



Wednesday, January 17, 2007

EDGEBoston reviews "Rose"

Rose, starring Olympia Dukakis, opened last night at the Calderwood Pavilion, and Kilian Melloy offers us the first published review of this Boston engagement at EDGEBoston.com:

"Between the lighting effects and Dukakis’ sheer virtuosity of manner and voice, what starts off as a storybook recitation gathers momentum and transforms into a hypnotic exploration of traumas, regrets, and epiphanies. The Sullivan-lit Dukakis summons Rose the way Rose summons the spirit of her dead first husband, inviting a form of possession, and Rose obliges. For two hours, in great rushes of enthusiasm punctuated by anguished moments of reluctance, Rose tells it like it is: she likes her lovemaking loud, her men trim and smooth, and her politics pure of heart. She’s colorful, cantankerous, poetic - and unapologetic."

Read the complete review of Rose.



Tuesday, January 16, 2007

Boston Globe on Hilary Hahn

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Hilary Hahn

Jeremy Eichler reviewed Hilary Hahn's Friday night performance at NEC's Jordan Hall for The Boston Globe. He gives props to Ms. Hahn's wonderful accompanist, something which I had neglected to do in earlier posts, but Lisitsa is a tremendous choice. I should also mention that the performance was recorded by WGBH for later broadcast (check back here for time and date).

Here is bit of Mr. Eichler's review:

"While she may no longer be a child prodigy, Hahn's youthful and
diminutive presence still lent her a vaguely heroic air as she
dispatched from memory a challenging program of sonatas by Janacek,
Mozart, Tartini, Ysaÿe, and Beethoven with consummate poise and
precision. Her playing sparkled with all the technical refinement and
natural musicality you could ask for. She was partnered with facility,
clarity, and empathy by the Ukrainian-born pianist Valentina Lisitsa."


Read all of Hahn continues her rise in artistry.