A typically erudite review of Kiri Te Kanawa from Matthew Guerrieri turned up in today's Boston Globe. Here's a taste:
". . . the familiar gilt-edged timbre still gleamed, while
Warren Jones, the superb pianist, judiciously reduced the dynamic
without sacrificing tonal depth. In a near-flawless 'Morgen,' Jones's
pearly luminescence and Dame Kiri's silken line were in magical,
crystalline confluence."
Well that's just fun to read no matter what its about. I ask you, Is there anyone that doesn't enjoy contemplating magical, crystalline confluences?
In case you missed my link above, you can read the whole review here. Two links? Yes, good writing deserves no less (he said, watching for typos).
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